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2007 ‘æ13‰ñç—tŒ§Œš’z•¶‰»§—ãÜ
ŽåÃFç—tŒ§A‹¤ÃFiŽÐjç—tŒ§Œš’zŽm‰ï
ŽóÜì•iF”ªâ‚̉Æ
2005 ƒ‚ƒ_ƒ“ƒŠƒrƒ“ƒO‘åÜ@ƒ‚ƒ_ƒ“ƒŠƒrƒ“ƒO‘åÜŽŸ“_
ŽåÃFƒ‚ƒ_ƒ“ƒŠƒrƒ“ƒO
ŽóÜì•iF“c‰€’²•z‚̉Æ
2002 ‘æ22‰ñ‘åã“sŽsŒiŠÏŒš’zÜ@‘åã‚Ü‚¿‚È‚ÝÜ@Œƒ—ãÜ
ŽåÃF‘åã•{A‘åãŽsAiŽÐj‘åã•{Œš’zŽm‰ï
ŽóÜì•iFWILL’é’ËŽR
The ar+d awards 2002 The Architectural Review
ŽåÃFThe Architectural ReviewŽÐiƒCƒMƒŠƒXj
ŽóÜì•iFHouse of Shadows
‘æ4‰ñ‚ ‚½‚½‚©‚ÈZ‹óŠÔƒfƒUƒCƒ“ƒRƒ“ƒyƒeƒBƒVƒ‡ƒ“@V’z‚Ì•”@“üÜ
ŽåÃF“Œ‹žƒKƒXiŠ”j
ŽóÜì•iFWILL’é’ËŽR|‘ ‚Æ“yŠÔ‚Ì‚ ‚é’†’ëŒ^W‡Z‘î|
2001 The ar+d awards 2001 The Architectural Review
ŽåÃFThe Architectural ReviewŽÐiƒCƒMƒŠƒXj
ŽóÜì•iFDefragmentation / red
‘æ9‰ñç—tŒ§‰®ŠOL•¨ƒRƒ“ƒN[ƒ‹
ŽåÃF‰®ŠOL•¨”ü‰»ƒLƒƒƒ“ƒy[ƒ“ŽÀsˆÏˆõ‰ï
iç—tŒ§Aç—tŽsAç—tŒ§‰®ŠOL”üp‹¦“¯‘g‡j
ŽóÜì•iFiŠ”j‚µ‚ã‚Í‚è–{“X“ËoƒTƒCƒ“
2000 ‘æ7‰ñç—tŒ§Œš’z•¶‰»Ü
ŽåÃFç—tŒ§A‹¤ÃFiŽÐjç—tŒ§Œš’zŽm‰ï
ŽóÜì•iFiŠ”j‚µ‚ã‚Í‚è–{“X
1999 ƒŠƒtƒH[ƒ€ƒRƒ“ƒN[ƒ‹@Šé‰æÜ
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ŽóÜì•iF¼‘å˜H‰Ô‰®’¬‚Ì’·‰®
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ŽóÜì•iFDemodel Project 6@iW “@‰ü‘¢HŽ–j
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ŽåÃFiàj“Œ‹žŒš’zŽmŽ––±Š‹¦‰ï
ŽóÜì•iF‰ñ—VŽ®u’ëvZ‹LOOP AiW‡Z‘îj
1998 0123‚Í‚ç‚Á‚ÏŒöŠJÝŒv‹£‹Z“ü‘I
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Œã‰‡FŒšÝÈAZ‘î‹à—ZŒöŒÉAZ‘î“sŽs®”õŒö
ŽóÜì•iF—´–ì‚Ì’¬‰®i‹i’ƒuƒGƒfƒ“‚Ì“Œvj
‘æ7‰ñ@‚³‚í‚â‚©ŠX‚­‚èÜ@@‚Ü‚¿‚Ȃݕ”–åÜ
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Œã‰‡Fiàj•ºŒÉŒ§Z‘’z‘‡ƒZƒ“ƒ^[@iàj•ºŒÉŒ§“sŽs®”õ‹¦‰ï
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iŽÐj•ºŒÉŒ§Œš’zŽmŽ––±Š‹¦‰ï
ŽóÜì•iF—´–ì‚Ì’¬‰®i‹i’ƒuƒGƒfƒ“‚Ì“Œvj
Z‘’zÜŽóÜ
ŽåÃFiàj“Œ‹žŒš’zŽm‰ï
ŽóÜì•iF‰ñ—VŽ®u’ëvZ‹LOOP AiW‡Z‘îj
1997 ‘æ19‰ñ@INAXƒfƒUƒCƒ“ƒRƒ“ƒeƒXƒg“üÜ
ŽåÃFiŠ”jINAX
ŽóÜì•iF‚’¼‚Ì’ë (N “@V’zHŽ–)
1996 OM’nˆæŒš’zÜEÅ—DGÜŽóÜ
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ŽóÜì•iF—z‚ÌŠÔ@(K “@V’zHŽ–)
1992 ƒCƒ“ƒeƒŠƒAƒvƒ‰ƒ“ƒjƒ“ƒOÜ
ŽåÃFiàjŒš’z‹Zp‹³ˆç•‹yƒZƒ“ƒ^[ —DGÜŽóÜ
Œã‰‡FŒšÝÈAZ‘î‹à—ZŒöŒÉAZ‘î“sŽs®”õŒö’c
ŽóÜì•iFDemodel Project 2@iS “@‰ü‘¢HŽ–j
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